"The Chain"
Writer: Joss Whedon
Artists: Paul Lee(p), Andy Owens(i), Dave Stewart(c)
Publisher: Dark Horse
A striking departure, this issue of Buffy the Vampire Slayer acts as a perfect starting point for those curious to see what the fuss is about and adds to the knowledge of those already familiar with the mythos. The stand-alone story encapsulates what occurred in Season Seven and how the world was changed through a magical spell and the Scythe, a special weapon wielded at one time by each Slayer.
The change is seen through a pair of different eyes. Another Slayer narrates her life--Whedon of course gives her a unique voice--and how it contrasts Buffy's life. The unobtrusive moment she becomes a Slayer sharply understates the actual effect of being called, and her first recognition of power comes not from combating the supernatural, as with Buffy, but instead battling against runaway technology.
What makes the narrator a Slayer can be found in the scene where she awakens empowered. Her senses heightened, her strength rapidly increased, she instinctively uses the power to save lives and exhibits a willingness to sacrifice herself for others. Slayers are not good because they have been gifted. Indeed, in the series, the Mayor of Sunnydale corrupted the Slayer known as Faith, and she temporarily corrupted/seduced Buffy. This Slayer however is pure, and her power and valiant willingness to "fight the demons" makes her memorable.
Regular Buffy the Vampire Slayer artist Georges Jeanty takes a breather this issue, but Paul Lee makes a nimble-penciled replacement. His monsters are particularly intriguing because they appear to be inspired by the demonic physiognomy created by the series' prosthetics' and make-up departments. Lee easily captures Sara Michelle Gellar's likeness and as well creates distinct realism when the narrative focuses on the star's pre-Slayer memories. Andy Owens' inks add depth and drama, as do the varied shades of Dave Stewart's palette.
The Slayer Handbook (SPOILERS IMMENENT)
The Chain--This refers to the entire line of Slayers operating simultaneously at the end of Season Seven. It also refers to the magical bond they share and represents their deepest belief--teamwork.
"Getting Boned"--Whedon's nod to Futurama. Originated by Bender the robot, carried through by Fry and Leela "We're Boned." means "We're Screwed."
"1-800-Chosen-1"--The number to call when you start feeling really, really strong, really, really agile and really, really itchy around pale, weird folk dressed like Disco Stu. Ordinary vampires are stuck in the time, in which they are turned.
"Large"--As in "So large." "So huge."
The Faerie Folk--Like Tinkerbell, kind of friendly. The greatest honor they can bestow upon you is to "lay eggs in your inner ear canal." Don't worry. "It's not fatal."
"Swimmy"--The world is spinning.
The Slimefolk--Intelligent magical slugs; to honor them, strip naked and let them slime you. Wearing their odor is like wearing a badge.
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